This is the Mural plotters are using to attack Jeremy Corbyn.

The largely-fictitious ‘anti-Semitism-in-Labour’ controversy is clearly never going to be allowed to die. I have no doubt more examples will be brought to public attention in the final days before the Local Elections in May, and most accusations will stem from heavily-distorted information, just as Mike Sivier can testify from what happened a year ago.

In case anyone is just back from a five-day holiday to Mars, the present storm of outrage is about a notorious mural on Brick Lane in London.

The artist who painted the mural is an American called Kalen Ockerman – alias ‘Mear One’. The mural is widely-held to be anti-Semitic in intent.

Back in 2012, there was a discussion on social media about having the mural removed. Jeremy Corbyn left a comment on the discussion thread defending its presence on freedom-of-speech grounds. This comment has ‘mysteriously’ been dragged into the cross-examination of the public domain just as local elections are getting underway.

Now, I really was not planning to comment on this, because frankly it was embarrassing that anyone thought it worth the nation’s time or attention. What Corbyn said six years ago about someone’s right to produce a slightly paranoid bit of artwork is not important. No, sorry, it really is not. James O’Brien (oh good grief, him again?) and Shelagh Fogarty may have thought that this business was worth top billing on their LBC shows today, but they are wrong. They should not have dignified it with their time, nor should the other hysterics across the media. The only reason I am even bothering to write about it is because individuals on social media – including the aforementioned O’Brien – have been complaining that Corbyn sympathisers are ‘more outraged’ by Owen Smith’s rebelliousness on Brexit than they are about anti-Semitism.

That accusation is rubbish, but okay, I will talk about the mural. And I will not just focus on how minor or old Corbyn’s ‘transgression’ is. I will also point out a detail that the critics refuse to acknowledge about the mural; –

It is not anti-Semitic.

No, I am perfectly serious, it really is not. Now, if a Jew wishes to argue with me about that, they are welcome to bring it on – the comments section is below. But I will not have the likes of O’Brien, or Fogarty, or any of a million other outrage-foam-at-the-mouths who are not Jewish telling me what is anti-Semitic or what is not. I am a Jew, and I have experienced the sharp end of real anti-Semitism first hand. I know the genuine article when I see it, and I also know a false alarm about anti-Semitism when I see it too. So you can stuff it if you are non-Jewish and you try to tell me which is which. The mural is not anti-Semitic, and this is why.

The rich men portrayed in the mural sitting around the Monopoly gameboard include the Rothschilds, the Rockefellers, the Warburgs and the Morgans. The Rothschilds and the Warburgs are indeed Jews. But the others are not. They are portrayed in exactly the same light as the Warburgs and the Rothschilds, but this is not because of their ethnicity, but because they are all banking magnates. Their portrayal is not anti-Semitic, it is anti-plutocratic.

The pyramid in the background is often assumed to embody the legendary ‘Illuminati’, which is often thought to be an undercover world-controlling movement dominated by Jews. But again, this is not correct. The pyramid actually symbolises Freemasonry, and the widely-held (and possibly correct) suspicion that Freemasons often give each other un-earned ‘foot-ups’ up the hierarchy.

Freemasonry is not a Jewish movement.

How do I know that all of this applies to the mural? The explanation for that is shockingly simple; unlike the majority of pompous outraged attack dogs snapping at Corbyn’s heels, I bothered to read up on the history of the mural before passing judgement on it. One of the details I checked was what the artist had to say about it. Sure enough, Ockerman responded to the accusations of anti-Semitism back in 2012, and explained all of the above.

You might argue, “Why should we believe what Ockerman says?” but if you think about it, that really is a stupid question; if Ockerman had intended to stir up anti-Semitic paranoia by painting the mural in the first place, surely he would be defeating the object of his own exercise by then denying that the rich men in the picture are Jewish? (And be careful – if you see a picture of rich men with large noses and your immediate assumption is “Jews!!!!” that may say more about your own prejudices than it says about the artist’s.)

What astounds me is that the people who are steadfast in their certainty that the mural is anti-Semitic seem so confident that they know more about it than the person who bloody painted it in the first place! So much so, they never even thought to find out what the artist had to say. And James O’Brien has the nerve to lecture his listeners on being ‘rational’ when he makes an absurd leap-to-conclusions, probably a bandwagon fallacy too, on this scale? Not for the first time recently, I find myself saying, “Pull yourself together, O’Brien!”

NB: Worry not, James, I do like you really, and I agree with far more of what you say than I disagree with usually, but you really have been suckered on this. I cannot believe you wasted ninety minutes of your programme today on this. It is a complete non-story.

It has been pointed out that the mural bears a passing resemblance to Nazi propaganda. I do see that, and I agree that it is unfortunate. But again there is a deafeningly-loud fallacy in the argument. Just because the mural has a resemblance to Nazi propaganda, it does not follow that it has to have the same meaning as Nazi propaganda. As I say, it does not. I find the reference to the Freemasons in the mural a bit paranoid, but the fundamental meaning of the picture is visibly anti-elitism, and there is no reason to assume that the plutocrats therein are Jewish. I mean, why is there no Star of David in the image?

(Jonathan Cook makes some more useful points about how doubtful and obviously-orchestrated this flare-up about the mural has been.)

Now as I say, this whole business has been a nonsense. Even if there were genuine anti-Semitic content in the mural, so what? It was years ago, and it was very clear that Corbyn’s comment was not meant as a defence of anti-Semitism. Now, how is a passing comment that Corbyn made six years ago on a bit of bizarre artwork suddenly so important that it takes priority over the Local Elections, over Conservative laundering of Russian finance, over Tory and pro-Brexitgroups getting potentially-illegal help from Cambridge Analytica, the fantastic fraudulence of Jeremy Hunt’s untrue ‘pay-rise’ for NHS workers, the suspicious-looking miracle of only three people getting exposed to a lethal nerve agent in Salisbury and all of them so slightly that somehow none of them are dead almost a month later, the never-ending Brexit chaos, rampant child poverty… ? Good grief, I reckon even the ball-tampering scandal by the Australian Test Cricket team should rate as more of a priority than this! I mean, at least that happened this week! (Darren Lehmann and Steve Smith should be sacked, for what my view on that is worth, by the way.)

Of course, the answer to my question lies with the alternative topics I have listed. A lot of the media would like to talk about ‘anti-Semitism-in-Labour’ right now precisely because it blots out all these other matters. And sadly, even usually fairly sensible broadcasters and journalists, including O’Brien and Fogarty, have allowed themselves to get caught up in the tidal wave of rage.

No, Corbyn is not ‘comfortable in the company of anti-Semites’. No, the majority of the Labour left are not anti-Semites, not even a large minority of the Labour left are anti-Semites. Rather than being taken in by the huge number of accusations, what is needed is actually to study a lot of the accusations. Do so and you soon notice how absurd some of them are. Ask Mike Sivier about his ‘anti-Semitic punctuation’. No, I kid ye not, he really was accused of ‘anti-Semitic punctuation’ last year!
Full article and credit to by Martin Odoni